![]() ![]() You can then export this new version and do the process all over again if you want to add more layers. Play the video in the preview window and adjust the footage to your liking. ![]() The background video should be dragged to the top video track on the iMovie timeline. Upload the footage that you would like to add to the final video, unto the timeline. 10 241 Are you a video clip maker Are you sharing them online on your blog or YouTube and trying to build a following through engaging video content Mastering the use of a green screen in your video clip will enhance your production with the option of changing the background. Then, reimport the final video by dragging and dropping it unto the timeline. ![]() Once your video has been exported, delete all the footage on the timeline. To export the video, click on export button located on the upper right corner of the iMovie interface. Exporting the video compresses the 2-layers into one. Complete your 2-layer footage and export the final video once you are satisfied. Using multiple layers of footage would require you to purchase the Final Cut Pro X software that costs hundreds of dollars.Īlternatively, you can try this iMovie Advanced Compositing Hack! From the iMovie tutorial above, two layers were used the green screen footage and the background footage. Usually, compositing using the green screen video effect requires two layers of footage. Just choose your clips, then add titles, music, and effects. Advanced Green Screen Hack: Three Layer Compositing in iMovie Whether you’re using an iPhone, iPad, or Mac, it’s never been easier to make it in the movies. Press the Space bar again to stop playback.Part3. Play back the effect by placing the playhead (the red vertical line) anywhere before the blue- or green-screen clip in the Project browser and then pressing the Space bar. This action works only if you’ve included a moment at the end of the green-screen or blue-screen footage with the subject completely out of the frame. To produce a better-quality effect, double-click the green-screen or blue-screen clip in the Project browser to open the inspector, and then select “Subtract last frame.” Be sure not to crop out areas that the subject moves into at any point during the green-screen or blue-screen clip. In the viewer click Cropped, and then drag the handles at the top or bottom of the viewer to more tightly enclose the subject of the video.Īnything outside the highlighted area in the green-screen or blue-screen clip is removed from the picture. To more effectively mask areas of the green-screen or blue-screen clip, click to select the clip in your project (so that its border turns yellow). To drag an end, move the pointer over it until the pointer changes to a resize pointer, and then drag. You can also drag the ends to lengthen or shorten it. You can drag it to a different spot within the clip, or to a different clip, to reposition it. The green-screen or blue-screen clip appears above the video clip in your project, as shown below. In the contextual menu that appears, choose Green Screen or Blue Screen. ![]() In the Event browser, select video (a frame range or an entire clip) that you recorded in front of the green or blue backdrop.ĭrag the selection directly over a clip in your project-it can be video, a solid-color clip, or an animated background clip-and release the mouse button when you see a green Add (+) symbol. Open the project you want to add the green-screen or blue-screen effect to. Open iMovie on your iPhone or iPad, create a new project, and then tap the (+) add media button. This indicates to iMovie what should be cut out when the video is superimposed. Green Screen on iPhone, iPad or iPod touch. Record a moment at the end with the subject out of the frame. If possible, use multiple lighting sources to eliminate shadows on the subject being recorded. The same applies if you’re shooting against blue: the subject of the video shouldn’t be wearing anything blue, and there should be nothing blue in the shot other than the backdrop. Make sure the subject of the video isn’t wearing anything green if you’re shooting against green, and don’t include anything green in the shot other than the backdrop. For paint and cloth, the best green to use is often called “chroma key green.” The best blue is “chroma key blue.” Use a pure, highly saturated color of green or blue for the backdrop. When you record, do the following for best results: Record video in front of an evenly lit, solid bright green or blue backdrop, and then import it into iMovie. ![]()
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